About This Project
In 2002, the Frank H. McClung and the University of Tennessee
Libraries received a two-year grant from the Institute for Museum
and Library Services to create an on-line database of information
describing photographs taken by Works Progress Administration
(WPA) workers of archaeological projects conducted in preparation
for Tennessee Valley Authority (TVA) dam construction in the 1930s.
Significance and Scope of the Documents
These are the most heavily-used document collections in each
museum, being of interest to practicing archaeologists, physical
anthropologists, and historians, who use them for basic research,
scholarly publishing, and public interpretation (including lectures,
exhibits, and publications for popular audiences); students (especially
for thesis and dissertation research); other museums -- small
(e.g., Heritage Museum of McMinn County, TN) and large (e.g.,
Chicago Art Institute) -- for exhibits and public programming;
the media (e.g., the Emmy award-winning Heartland series on the
Travel Channel); the general public (especially those with relatives
who worked on the large WPA crews); and the Native American tribes
concerned. Because the archaeological sites have since been flooded,
these images and the associated field notes and artifacts are
the only record of these sites that we will ever have. They are
a unique, complete, and comprehensive collection of information
concerning Native American habitation in the Southease in the
pre-historic period
These photographs and field notes are permanently curated for
the TVA by the Frank H. McClung Museum at the University of Tennessee,
the William S. Webb Museum of Anthropology at the University of
Kentucky, and the Alabama Museum of Natural History at the University
of Alabama. Each state houses approximately 5,000 images for projects
within its bounds. This arrangement has assured the preservation
of the original images, but, because the collection is held in
three different states, it is difficult to use it as one collection,
to say nothing of the barriers of use for many people created
by rules of access, and the restrictions imposed by preservation
mandates.
Digital technology can allow expanded access to these historical
materials. Users do not have to travel to the particular university
or museum to view them; vulnerable originals do not need to be
handled; and multiple users, including entire classes of students,
can examine the same document simultaneously.
The documents and images included in this database were identified
and selected by the curators, scholars and staff members in the
participating institutions who were most familiar with their significance
and previous use.
Work Process and Standards
Each photograph was scanned on a flatbed scanner at 400dpi, in
color with a color depth of 24 bits. Digitial Library Federaltion
Guidelines and Best Practices for digitial preservation of historical
documents was used to determine the digitization standards for
this project. Using this level of resolution and scanning in color
most faithfully reproduces the original.
The original scans are non-compressed TIFF (Tagged Image File
Format) format files, averaging 12 to 20 megabytes in size. The
only image manipulation of the TIFF images was rotation and cropping.
These high-resolution TIFF images are retained by the respective
institutions for archival purposes.
From the TIFF images, we produced full-size and thumbnail JPEG
images for use by the public. Some of the photographs are restricted-access
only and special procedures are outlined below and on the database
site.
Field notes for each photograph were transcribed using XML (Extensible
Markup Language) with pointers between the JPEG photograph and
the notes. In some instances related photographs are indicated
in the field notes. The field notes have been standardized to
search by specific location and other criteria.
This freely available database,* created from field notes and
site maps linked to digital images of the photographs, is housed
at the University of Tennessee Digital Library Center.
*The database includes a number of restricted-access images from
the Alabama and Tennessee collections. Permission to view these
images is required from the individual museum involved. Documentation
providing specific reason for access and verifiable professional
credentials are required before permission can be granted.
For Permission to View these restricted images, please contact,
in writing, with appropriate documentation:
Dr. Lynne Sullivan, Curator of Archaeology, Frank H. McClung
Museum (TN)
Eugene Futato, Sr. Archaeologist and Curator, Office of Archaeological
Research (AL) |